"My weekend is ruined if I in have not had to do something cultural." Not know what stakhanovisme but because I need. See a movie, visit an expo... Or simply buy books. I love it. I buy many more that I cannot read. They piled with me everywhere, to the great despair of my family. "Culture, Régine Hatchondo is going to say that it has"saved it ". Not in the sense where it has taken it a any bad not the daughter of a rugby international has lived a happy childhood in the South of the France stages, but insofar as it allowed him to rise above his condition. And such a Rastignac in petticoat, conquer Paris.
It is at the City Hall, precisely, in an Office decorated with posters to the glory of his Jean-Pierre Léaud Idol, that we find the maintenance. Advisor to the culture of Bertrand Delanoë since a small year, she had previously worked in the shadow of the Mayor of Paris as General delegate to the movie Mission, created by the aedile in 2002. Elaboration of a Charter on the conditions of filming in Paris, definition of a fee, awareness of college students to the wealth of the 7th French art, Foundation of festivals "Paris Cinema" and "My first Festival", a Fund of support for the short films: the building did not fail in this position. A local action that she will now decline overseas operational commands of Unifrance, the body responsible for the promotion of French cinema in the world. Its President, the producer and enarque Antoine de Thehôtel, is an old acquaintance: he is a Director of Paris cinema.

Less bad beginnings
Before landing at the Theatre de Chaillot the same year as Jérôme Savary, his first mentor fire Daniel Toscan du Plantier, who was its "protector and friend", also counted , the former of the European Business School increased by Usinor-Sacilor management control. Beginnings less bad that one could imagine, but even more trainers. Whether it's at Chaillot where it strive to resume the dialogue with the unions while the best negotiating contracts for actors, or in his duties as General Secretary of the Forum des Images (Paris ex-Vidéothèque) later and fifteen of Directors du Festival de Cannes, Régine Hatchondo has always put hands in the greasy. Culture, Yes; mismanagement, no.
Southern origin and temperament, this mother of four boundless energy and full of joie de vivre claims willingly in cultural matters "a taste pronounced for melancholy." Ibsen for the theatre, Bacon painting, Barbara for music are the first names that he come to mind. And stories of couples to drift like him in particular, to the point that if it should keep that a book and a film, it would be no doubt "the happiness perfect" of the American novelist James Salter for the first and "Scenes of married life" with Ingmar Bergman for the second. But this temptation has not prevented to worship the two "OSS 117". An eclecticism in the image of this French film which she prepares to defend the colours at the four corners of the world.